In Hubert’s bedroom scene Mise en scene is important because
it shows you how Americanised it is in the banlieus of France. In the scene you
can see many different posters on Hubert’s wall. One of these posters is of the
1968 Olympic black power salute. This shows that Hubert has been americanised. As
well as this you can also see lots of boxing posters and memorabilia all from America
but you never see any French culture in Hubert’s room. In the scene you also
hear Hubert Listening to American soul music. This shows that Hubert is once
again americanised but also shows that Hubert himself has a soul. While the
Soul music is playing you see a montage of Hubert cutting up hash and then
rolling and smoking a joint. This shows that drugs are not something that the people
who live in the banlieus can escape from. You then see a mid shot oh Hubert
looking out of his window at the people on the street below him. This is shot
as a mid shot with the frame of the window in shot which gives you the idea
that Hubert, and everyone else, is trapped in the outskirts of France and that
they will never get out.
The next scene is of the DJ scratching the records in his room.
In this scene you see the records spinning round which fits in with the
recurring motif, which runs throughout the film, of everything going round in a
circle. In this scene you also see a mid shot from behind the DJ in which you can
see that on the back of his t-shirt it says cypress hill. Cypress Hill are a multicultural
rap group from America. This again shows that everyone in the banlieus has been
americanised but also that all the people in the banlieus are multicultural
just like the rap group Cypress hill. The DJ then starts playing a remix of a French
version of the NWA song fuck the police and Non je ne regrette rien (no regrets)
by Edith Piaf. This is one of the only references to French culture throughout
the film. This shows that there is very little French culture left in the
banlieus because it has all been americanised. While the song is playing you
see a bird’s eye view shot, taken from a drone, going over the banlieus. This shot
was used to show the vastness of the Banlieus and also how all of the apartment
blocks in the banlieus are set out in circles. This fits in with the recurring motif
of everything going round in circles and there not being any escape from the
lives the three characters live.
No comments:
Post a Comment